iQ presents “Bartók Rebórn” for the Jacobsen Series at the University of Puget Sound

I look forward to meeting and working with the students of Dr. Amy Xin Yin at the University of Western Carolina during their percussion studio class

iQ presents “Bartók Rebórn” in a guest artist recital at Coastal Carolina University

World premiere of commissioned work by ACMF composer-in-residence Jorge Amado

Connor Elias Way’s Sift for mixed chamber ensemble with my LMC colleagues

Osvaldo Golijov’s Mariel for cello and marimba with Kayla Herrmann

Elliot Cole’s Bloom Suite for marimba and string quartet with Aleksandra Labinska, Eva Dove, Roberto Henriquez Martinez, and DoYeon Kim

Peter S. Shin’s soshi so$$$hi with percussionist Garrett Arney

World premiere of Libby Larsen’s I am signaling you through the flames with the Kaleidoscope Chamber Orchestra along with Michael Laurello’s I always visit the same imaginary city when I dream for solo percussion and Bartók’s Sonata for two pianos and percussion

World premiere of Will Healy’s Permafrost Ghosts with the Kaleidoscope Chamber Orchestra

I’m excited to join pianist and series director Natalia Kazaryan for the finale of this inaugural concert season, playing Michael Laurello’s I always visit the same imaginary city when I dream for solo percussion along with Caroline Shaw’s Boris Kerner for flowerpots and cello and Andy Akiho’s 21 for marimba and cello with yMusic’s Gabe Cabezas at this abandoned subway station-turned art space

Ian Rosenbaum and I take PPG on the road for this special program featuring music by Reich, Akiho, Torke, Seo, and Crumb, some of which we’ll be hopping in for alongside our students!

My students at Peabody join Marina Piccinini’s flute students for a third annual collaborative concert, this time presented on the conservatory’s afternoon recital series

iQ presents “Bartók Rebórn” for their appearance on the Classical Convergence Series at Colorado State University

iQ presents “Bartók Rebórn” in a guest artist recital at Purdue University Fort Wayne

My students at the Peabody Conservatory perform a concert of chamber works by Andy Akiho, Juri Seo, Michael Torke, and others

icarus joins Beth' Willer’s NEXT Ensemble with vocalists and instrumentalists at the Peabody Conservatory for a special project conceived and led by conductor Juliano Anecito. Luigi Dallapiccola’s Canti di prigionia (Songs of Imprisonment) for chorus, two pianos, two harps and percussion will be paired with the world premiere of Elijah Daniel Smith’s The Thought to Which I Lay, setting poetry by Brian D. Fuller

icarus joins Beth' Willer’s NEXT Ensemble with vocalists and instrumentalists at the Peabody Conservatory for a special project conceived and led by conductor Juliano Anecito. Luigi Dallapiccola’s Canti di prigionia (Songs of Imprisonment) for chorus, two pianos, two harps and percussion will be paired with the world premiere of Elijah Daniel Smith’s The Thought to Which I Lay, setting poetry by Brian D. Fuller

I join The Collective and The Florida Orchestra for the concerto version of Garth Neustadter’s Seaborne for six percussion soloists and strings under the baton of Chelsea Gallo with video by Kjell van Sice

I join The Collective and The Florida Orchestra for the concerto version of Garth Neustadter’s Seaborne for six percussion soloists and strings under the baton of Chelsea Gallo with video by Kjell van Sice

iQ presents “Bartók Rebórn” for their appearance on this series at Colombus State’s Schwob School of Music

iQ presents “Bartók Rebórn” in a guest artist recital at Lebanon Valley College

I join The Collective and the Phoenix Symphony for Chris Theofanidis’ Drum Circles for four percussion soloists and orchestra, under the baton of Lina Gonzalez-Granados in the orchestra’s season opening weekend

I join The Collective and the Phoenix Symphony for Chris Theofanidis’ Drum Circles for four percussion soloists and orchestra, under the baton of Lina Gonzalez-Granados in the orchestra’s season opening weekend

I join The Collective and the Phoenix Symphony for Chris Theofanidis’ Drum Circles for four percussion soloists and orchestra, under the baton of Lina Gonzalez-Granados in the orchestra’s season opening weekend

iQ performs Béla Bartók’s Sonata for two pianos and percussion, Witold Lutoslawski’s Variations on a Theme by Paganini, and presents the world premieres of Bartók companion works by Martin Bresnick, Viet Cuong, and Jennifer Higdon, with all three composers in attendance

Looking forward to working with the talented percussion students of Professor Ksenija Komljenović at UNCSA

Preview performance at Brown University of a new opera by Matthew Aucoin with direction by MacArthur Fellow Peter Sellars and the musicians of the American Modern Opera Company